Miami Wild

Miami Wild (2021) is a one-hour broadcast natural history special narrated by Gloria Estefan. It was produced by Day’s Edge Productions for Smithsonian Channel and Terra Mater Studios.

My roles: Cinematographer • Writer • Editor

American cities are shaped by the immigrants who call them home. Nowhere is this clearer than in Miami, a city Barack Obama called “the capital of Latin America.” With more than six million people living in its towering skyscrapers and sprawling suburbs, Miami might not seem like an ideal wildlife habitat at first glance—but that couldn’t be further from the truth! Miami is actually a melting pot of wild animals from around the globe.

Miami Wild is a wildlife tale that hasn’t been told before: the story of animal immigrants thriving in an American metropolis, overcoming steep odds to create new lives for themselves in a concrete jungle. Some species, like the raccoon, blue land crab, mosquitofish and screech-owl, have called South Florida home for millennia. Countless others are newcomers: peacocks, iguanas, tropical fish, parrots, and even chameleons. Some of these animal imports were accidental — a consequence of more than a century of global trade. Some were intentional — released deliberately to sell or to control other non-natives. Most are somewhere in between, a virtual zoo of creatures flourishing in this subtropical city’s lush parks and waterways.

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01. Chameleons are hard to breed in captivity, so reptile traders will release them onto specific trees. 

02. Since the lizards rarely switch trees, these "ranchers" can return a few months later to collect the babies.

03. A swarm of cane toad tadpoles advances through a Miami storm canal.

Miami Wild was the perfect Covid project for our company. Day’s Edge co-owner Neil Losin was living in Miami at the time, and he handled most of the principal photography. During key seasonal behaviors, Nate Dappen and I would fly out to help with more complicated setups.

This was our first natural history special, and we broke out all our camera toys to make it visually stunning. My favorite was the day we rigged a gimbal to a kayak and then paddled down the city’s canals in search of iguanas.

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04. An iguana surveys us from the bank of a storm canal. 

05. To get the shot, Neil became our "kayak grip." I'm paddling behind and controling both the gimbal movement and camera remotely. 

06. Blue land crabs face many man-made obstacles as they migrate to the ocean to spawn. 

During post-production, I did about half the writing and editing to get us to rough cut, but this project was really Neil’s baby. Once we had a solid assembly in place, he took ownership for the whole edit, guided the film through several rounds of meticulous client review, and did all the QC work himself. Major respect, Neil.

Some other folks who deserve a shout-out: our friends at Cleod9, who made a heroic lift to deliver what might be the most unusual wildlife score ever made. Neil wanted to blend Miami’s signature Latin sound with elements from the countries where our starring species are endemic. Ian and his team pulled this off with flying colors, winning the award for best original score at the 2022 Jackson Media Awards.

  • Nate Dappen

    Director • Producer

  • Neil Losin

    Director • Producer

  • Gloria Estefan

    Narrator

  • David Hutchinson

    Additional Writing • Camera • Editing

  • David Herasimtschuk

    Underwater Camera

  • Kori Price

    Production Manager

  • Cleod9

    Original Score

  • Root House Studio

    Graphics

  • DC Color

    Colorist

  • OTT House Audio

    Sound Design • Mix

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